Sailing into a Good Read

A link from the Washington Post caught my eye, its article lamenting the demise of libraries on cruise ships. It paraphrased Linda Garrison, travel writer for About.com: “Oftentimes, the bigger the ship, the smaller the library.”. 

'Marco Polo' and 'Regal Princess' berthed at Tallinn, Estonia

Maybe so. Having not sailed on a big cruise ship, there being no desire to be penned into a balcony cabin – sorry stateroom – or share a confined space with over 3,000 other people, I can’t comment. However, of the two ‘comfortable’ size ships I have holidayed on from the UK’s Cruise & Maritime line – Marco Polo 850 passengers; Azores (now Astoria) 550 passengers – I can recommend both for their libraries, though a passenger needs to be in there fast to grab the guidebooks to the next port of call.

I found Marco Polo, especially, was well appointed for its clientele with thick carpeting and comfortable wrap-around chairs and, more importantly, one wall of floor-to-ceiling fiction and another of non-fiction, including some beautifully illustrated coffee table tomes that started a covetous itch in this reader. The ambiance was missing only an open fire, but of course there was a wall of windows with an ocean view so no one was complaining.

By mutual understanding it also ran a Silence regime which I – who should have known better – fell foul of in my exuberance. There may have been no actual tutting, but it was inherent in the sudden turn of heads, wonderfully refreshing when compared to modern dry-side public libraries where it can sometimes be difficult to hear myself think.

Kindle and tablet readers held their own alongside paper readers, seen on deck and in the lounges no matter the time of day, inspiring to a writer considering what else was on offer: lectures, craft workshops, bridge and Scrabble groups, deck and lounge games, show, cabaret and nightclub, quizzes and demonstrations, to say nothing of the port excursions. Despite there being hardly time to sleep there was always time to read, and to discuss a title with a fellow passenger over coffee or lunch.

C&M’s cruises are child-free, their ships small enough to sail from regional UK ports. Perhaps that’s why the experience is so relaxing, a lounger and a good book preferred to a climbing wall or a multi-level shopping experience. And to find your fellow passengers such interesting people.

On my recent twelve day cruise of the Baltic I read two novellas and a novel, and there’s my cue to upload the reviews. And yes, I did donate one of my own titles to the ship’s library. It’s called soft marketing.

Unaccustomed as I am – Talking About Our Books

On Thursday I’m being interviewed on a local radio station, West Hull FM. Except it is less an interview and more a chat – for an entire hour, including music. The proposed questions have just come through and, of course, top of the list is Tell listeners about your books.

Oh... gosh.

I have nine titles out as ebooks, four of which are also in paperback, these across five genres ranging from Horror to Historical. This doesn’t include the short fiction or non-fiction articles. How to can that into a soundbite?

In truth it’s impossible, but I have to make a stab at it. If you find yourself struggling in similar circumstances, this is how I’ve tackled it.

1) Consider the audience, not just the interviewer. Most of my audience will be within a tight graphical area, so some of my answers need to chime with their local knowledge to help create a rapport. If any know who I am I’ll be highly surprised, so I have to come across as a human being they’d like to share a coffee with.

2) Consider the time of broadcast. Mine is 11am-noon, so most listeners will have the radio on as background to a more important task. I am under no illusion: people will not be hanging on my every word. It’s up to me to intrigue them to listen.

3) Despite the wide-ranging genres, what links the fiction? Being so close, I couldn’t see the wood for the trees, yet there has to be a common denominator, apart from my single brain (cell). Finally I nailed it: in various guises my fiction deals with relationships. Result – I had my over-arcing soundbite.

4) Choose the titles to mention. No listener is going to stay tuned to hear nine book pitches, even less their blurbs. I chose three, crafting them with care and making each longer than the previous so as to lead the listener deeper:

a) an intriguing and easy-to-digest intro which flags a common knowledge

b) a volte-face to catch attention, with touches of a storyline, of what’s at stake, the thinking behind the writing

c) the immediacy of what I’m currently working on, but encompassing a much more complex set of storylines, and finishing on a smile.

Q: Tell listeners about your books

I have nine titles published as ebooks, four of which are also in paperback, straddling five genres ranging from Horror to Historical. What links them is that in various guises my fiction deals with relationships.

My highest selling novel is a Native American Historical, Beneath The Shining Mountains. It has a romance at its heart, but its theme is about taking responsibility for one’s actions. And as we all know, true love never runs smooth.

My latest is a Horror short – Scent of the Böggel-Mann – about a woman who enjoys buying Lots from auctions and re-selling them on Ebay and car boots. Her life unravels when she bids for a locked chest and what it contains puts her husband at risk. Does she disintegrate into tears or fight for her husband’s life? It’s about how strong we truly are, how ruthless can we be, when faced with circumstances out of our norm.

The work-in-progress is the last book of a trilogy of contemporary fantasies – Torc of Moonlight – that begin in Hull, move to York, and this final book has a base in Durham. It’s also my most technically complicated, with three storylines in each book, one of which is fantasy, one straight contemporary, and one historical. Hull is Celtic, York is Roman, and Durham is monastic medieval. So you can imagine the research that goes into these. And my biggest problem is that I write slowly so all this takes forever. 

And there you have it, my sectioned soundbite/s. I can go into more detail about any of the novels, or others, later in the interview. I realise I might cover only the first two paragraphs, but it will be a start. Once this groundwork is laid, other questions I can answer on the hoof. Hopefully.

Update: I've done the deed, and thoroughly enjoyed the experience. See if I followed my own instructions HERE (60 mins - but you can fiddle).

Book Buying Links - Be Wise

I was reminded this week that not every author, mainstream or indie published, has a grasp of the basics. The discussion was about handling long buying links.

For instance, if I use the Amazon search facility for one of my own novels I arrive at the page but find this as its given URL (Uniform Resource Locator)...

http://www.amazon.co.uk/Beneath-Shining-Mountains-Linda-Acaster-ebook/dp/B003VTZZNO/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1455653958&sr=1-1&keywords=Beneath+The+Shining+Mountains

...and who would want to put that in a Tweet, or a Facebook post, or even in a blog article?

http://www.amazon.co.uk/dp/B003VTZZNO looks so much better and does exactly the same job. I can use .com instead of .co.uk for the USA link. This works for print-only books as well as ebooks. Just ensure you leave no spaces and add on the correct ASIN (Amazon Standard Identification Number).

Using https://bitly.com/ will create an even shorter URL, with the added benefit that you'll be able to see how many times it is clicked, and these aren’t restricted for use with Amazon. More than that, the default URLs created can be changed manually. How about http://bit.ly/amusBSM for Amazon.com? Or http://bit.ly/bnBSMountains for Barnes & Noble's Nookbooks? Notice what I did there? No need to go hunting for my crib sheet, the destination is integral with the link: bn [Barnes&Noble] amus [Amazon USA].

If you’ve no interest in checking numbers of clicks, sign up for Hootsuite, or Tweetdeck, or a similar social media manager which can take a long URL and shrink it to something meaningless -  http://ow.ly/Yrj7g - but it will reach the desired target, nonetheless. Social media managers are a one-stop portal for use with Twitter, Facebook, Google+, LinkedIn, Instagram and more.

The problem with buying links is that there can be so many of them, so where possible it helps to condense the number. http://www.booklinker.net/ does just that by creating a universal link to all Amazon stores.

http://viewBook.at/BSMountains will reach the correct Amazon store for your region no matter where in the world you click the link. There’s a choice of initial domains: myBook.to/ viewBook.at/ getBook.at/ viewAuthor.at/ and Author.to/ How you decide to complete the link is up to you. Again, there’s a dashboard which shows the number of times each has been clicked.

Best of all? None of these facilities will cost you a penny. Or a cent.

Catch me at http://Author.to/LindaAcaster

Please... Learn How To #Edit

Far too many writers rely on their generation-ago education for their sense of written English, forgetting that bad habits can creep in over the years. Worse, they abrogate responsibility in their own work: but the publisher’s editor will sort that. Only to a certain degree. If it’s too much of a dog’s breakfast, the work will gain a rejection slip. Editing is time consuming, and therefore expensive. The better self-edited a final copy the more likely an acceptance.

Reading aloud is the No 1 editing tool. Speak your own punctuation. If you are fighting for breath add in commas where needed. Could a long sentence be spoken more easily if split into two? Can’t get your tongue round the words, or the context sounds confusing? Check the sentence structure and rewrite to enhance fluidity.

Really look at what you’ve written and don’t read what you think you’ve written.

How many exclamation marks are used? When I was a reader for a literary consultancy I received a script littered with them. Picking a single page, I ringed each in red ink. There were 33. The writer emailed back full of apologies and thanks – the epidemic had not been noticed.

Software such as Grammarly or Pro Writing Aid will pick up such blindness, but so will Word via a global search.

This blogpost came about because I was handed a paperback novel. As many do, in the Acknowledgements the author had showered praise on the book’s editor. Was it justified?

Second page in (narrative only) – 5 adverbs: highly, cruelly, bravely, remorselessly, inexorably.

Two-thirds in (dialogue exchange) – 10 adverbs: curiously, anxiously, reassuringly, awkwardly, thoughtfully, embarrassedly, softly, numbly, eagerly, lovingly

Each list is from a single page, and all the pages I flicked through were the same.

Had it been me, I wouldn’t have showered praise; I would have complained – bitterly. There again, it’s the author’s own fault. If the author had undertaken a global search for ly[space] and highlighted in yellow each instance, the problem would have been more than obvious.

Study a couple of pages of your work, identify possible oversights, and undertake a global search to see how many times each is repeated. It could save blushes later.